{"id":125468,"date":"2024-10-19T05:07:49","date_gmt":"2024-10-19T05:07:49","guid":{"rendered":"https:\/\/pdfstandards.shop\/product\/uncategorized\/gsa-pbs-fine-arts-program-policies-and-procedures-n-a\/"},"modified":"2024-10-24T23:15:26","modified_gmt":"2024-10-24T23:15:26","slug":"gsa-pbs-fine-arts-program-policies-and-procedures-n-a","status":"publish","type":"product","link":"https:\/\/pdfstandards.shop\/product\/publishers\/gsa\/gsa-pbs-fine-arts-program-policies-and-procedures-n-a\/","title":{"rendered":"GSA PBS Fine Arts Program Policies and Procedures N\/A"},"content":{"rendered":"
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PDF Pages<\/th>\n | PDF Title<\/th>\n<\/tr>\n | ||||||
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5<\/td>\n | Executive Summary <\/td>\n<\/tr>\n | ||||||
6<\/td>\n | 1. Introduction 1.1. Mission and Vision Statements 1.1.1 Fine Arts Program Mission 1.1.2. Vision 1.2. Adherence to Ethical Standards 1.3.1. Fine Arts Program Within GSA 1.3.2. Regional Fine Arts Officers <\/td>\n<\/tr>\n | ||||||
7<\/td>\n | 1.3.3. Responsibilities of the Fine Arts Program <\/td>\n<\/tr>\n | ||||||
9<\/td>\n | 2. The Collection 2.1. Scope of the Fine Arts Collection 2.2. Description of the Fine Arts Collection <\/td>\n<\/tr>\n | ||||||
10<\/td>\n | 2.3.2. Art in Architecture Program <\/td>\n<\/tr>\n | ||||||
11<\/td>\n | 2.3.3. Asserting Title on New Deal Works <\/td>\n<\/tr>\n | ||||||
12<\/td>\n | 2.3.4. Donation of Artwork From Non-Government Sources 2.3.5. Artwork Transferred From Other Federal Agencies 2.3.7. Artwork Accepted Through Building Acquisition <\/td>\n<\/tr>\n | ||||||
15<\/td>\n | 2.4. Deaccessioning Artworks <\/td>\n<\/tr>\n | ||||||
16<\/td>\n | 2.4.1. Reasons for Deaccessioning Artwork <\/td>\n<\/tr>\n | ||||||
19<\/td>\n | 3. Use of Artworks 3.1. Public Display 3.2. Access Artworks and information about the collection are available to the public to the greatest extent possible. <\/td>\n<\/tr>\n | ||||||
20<\/td>\n | 3.3. Loans 3.3.1. Outgoing Loans <\/td>\n<\/tr>\n | ||||||
21<\/td>\n | 3.3.2. Incoming Loans <\/td>\n<\/tr>\n | ||||||
22<\/td>\n | 3.3.5. Insurance <\/td>\n<\/tr>\n | ||||||
23<\/td>\n | 3.4. Relocation of Artworks 3.4.1. Relocation Eligibility Relocation will be considered in the following circumstances: 3.4.2. Requesting Relocation 3.4.3. New Location <\/td>\n<\/tr>\n | ||||||
24<\/td>\n | 3.4.4. Funding <\/td>\n<\/tr>\n | ||||||
28<\/td>\n | 3.6.2. Credit Line Artist name Courtesy of U.S. General Services Administration <\/td>\n<\/tr>\n | ||||||
29<\/td>\n | 4. Care of the Collection 4.1. Documentation 4.2. Public Space in GSA Buildings <\/td>\n<\/tr>\n | ||||||
30<\/td>\n | 4.2.2. Integrity of Space in the Vicinity of Fine Arts Collection Artworks <\/td>\n<\/tr>\n | ||||||
31<\/td>\n | 4.3. Installation Standards <\/td>\n<\/tr>\n | ||||||
33<\/td>\n | Special Events Construction or Renovation <\/td>\n<\/tr>\n | ||||||
34<\/td>\n | 4.4. Physical Care 4.4.1. Cyclic Maintenance Who Performs Cyclic Maintenance? <\/td>\n<\/tr>\n | ||||||
35<\/td>\n | Cyclic Maintenance Funding Each field office is responsible for funding cyclic maintenance. Regions are encouraged to include cyclic maintenance as a cost related to annual building operations. 4.4.3. Inspection <\/td>\n<\/tr>\n | ||||||
36<\/td>\n | 4.4.6. Damage <\/td>\n<\/tr>\n | ||||||
37<\/td>\n | 4.4.8. Storage <\/td>\n<\/tr>\n | ||||||
38<\/td>\n | 4.4.10. Conservation <\/td>\n<\/tr>\n | ||||||
43<\/td>\n | 5. Sample Forms, Worksheets, and Correspondence <\/td>\n<\/tr>\n | ||||||
59<\/td>\n | Boardman Robinson Great Codifiers of the Law U.S. General Services Administration Public Buildings Service Fine Arts Collection <\/td>\n<\/tr>\n | ||||||
67<\/td>\n | U.S. GENERAL SERVICES ADMINISTRATION FINE ARTS PROGRAM FINE ARTS MISSING ARTWORK WORKSHEET Artist: ___________________________________________________________________________________________ <\/td>\n<\/tr>\n | ||||||
72<\/td>\n | 5.7. Emergencies and the Fine Arts Before – During – Response After – Recovery <\/td>\n<\/tr>\n | ||||||
73<\/td>\n | INDEX APPENDICES <\/td>\n<\/tr>\n | ||||||
74<\/td>\n | Objectives of Emergency Planning Objectives of the Fine Arts Component of COOP <\/td>\n<\/tr>\n | ||||||
75<\/td>\n | PREPAREDNESS Fine Arts Emergency Personnel <\/td>\n<\/tr>\n | ||||||
76<\/td>\n | Identification of Prioritized Works of Art Emergency Response Contractors RESPONSE PROCEDURES Response Measures <\/td>\n<\/tr>\n | ||||||
77<\/td>\n | Emergency Handling of Portable Works of Art <\/td>\n<\/tr>\n | ||||||
78<\/td>\n | Recovery Measures Inventory <\/td>\n<\/tr>\n | ||||||
79<\/td>\n | Transportation and Storage TERMINATION OF EMERGENCY <\/td>\n<\/tr>\n | ||||||
80<\/td>\n | ART BUILDING: CONTACT: ART TITLE OF ARTWORK TITLE OF ARTWORK TITLE OF ARTWORK <\/td>\n<\/tr>\n | ||||||
82<\/td>\n | 5.7.3. Fine Arts Program Damage Report FA Number: _FA1681__________________________________ Date: _1977__________________________________________ <\/td>\n<\/tr>\n | ||||||
91<\/td>\n | APPENDIX C. GUIDING PRINCIPLES FOR FEDERAL ARCHITECTURE <\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":" GSA PBS Fine Arts Policies and Procedures<\/b><\/p>\n |